On Kerla state ban on liquor.

Sin City, 16min PSBT & majlis.

City series documentary, 2008

"I was here in the summer"
visual art work, during residency at Hotel Pupik, Austria. 2011

Documentary: 'Flex N faces', 21min, Hindi-Marathi
Produced Under Early carrer fellowship by CMCS/TISS 2008

Under city series

Tree,

With Bettina Wenzel and Hans W. Coch

at NCPA, Mumbai 2008

Image from New Documentary

City series: Walking in the City, 2014
26min, English and Hindi. 

Produced by PSBT, India 2014

Again Arvind kejriwal...

Arvind kejariwal Cartoon

Limited Rape

Sheep of 'Jeessus'

New offeres from 'Santa-Monta' pimps

New offers in market from pimps like 'Santa-Monta'.

288697_10150278064699509_5525311_o.jpg

Currently in Austria, For an Artist in Residence.
Presented visual art work- 'I was here in summer'., two chapters of Graphic Novel and two short Videos.

Hurrey!

This is for comic strip competition by Goethe Institute, Bengleru.

Hi friends,

Welcome to our new webiste-
www.pin17.in

we will handle films, web and print related works.

visit and give feedback.

S

Going for trekking at saurkundi pass, my group is youth hostel
SK_27. so is anybody is from the same group...it will be nice to know unknown.

From October 2009 to 27th Feb 2010 I was slave. and for one gujrati aunty's film project. After being paid, I think i can say that I was co/prime producer of that project. FUnny laugh on me.


Ha ha ha

my cartoon ...almost after my srfti days. This is for my hostel notice board. missing you

तेहेल्का again

http://www.tehelka.com/story_main43.asp?filename=hub241009mastertakes.asp

MADHUSHREE DUTTA ON FILM

Mumbai mayhem Still from Shrikant Agawane’s Sin City

Shrikant Agawane has made a 15-minutelong short film titled Sin City, which I recently saw. It is an extremely moody and layered tale of crime in Mumbai and its iconic status in Bollywood films. A fresh graduate of SRFTI, Shrikant is stylish in his visualisation. The entire film is treated with a bizarre green tint that makes the images of the everyday city eerie and tantalizing at the same time. The film connects the popular crime stories and the mythical dons (Haji Mastan, Dholakia brothers, Yousuf Patel) with the real locations in the city. It talks about how Morarji Desai’s prohibition policy created the hath bhatti (country liquor) dens in the creeks of Dharavi and how that inspired the character of Sher Khan (Pran) in Zanjeer.
Dutta is a documentary filmmaker. She lives in Mumbai

tehelkaaaa

http://www.tehelka.com/story_main43.asp?filename=hub211109mastertakes.asp

ASHISH RAJYADAKSHA ON FILM
I’m a huge fan of Anurag Kashyap’s work. He is a remarkable filmmaker. While I liked Dev.D, I liked Gulaal even more. Gulaal is based on a theme I’m very familiar with – feudal politics in north India. What I found amazing about the movie was how it inverted all standard truisms. It wasn’t an expose, he was trying something else entirely. While Dev.D is a more accomplished movie, Gulaal was a more operatic style of filmmaking. It transformed the representation of north India. It was an implosion of the grandeur of old India into college politics. Another film that I liked a lot was Sin City by Shrikant Agawane. It maps crime as depicted in movies and contrasts it with crime as it actually happens in Mumbai. Another documentary filmmaker I really like is Abhijit Mukul Kishore, who made a documentary on his own mother that I found quite interesting. As of now, I’m looking forward to Amar Kanwar’s next.
Rajyadaksha is a film theorist in Bengaluru